Batik Pesisir was produced in coastal areas of northern Java and Madura that were exposed to sea trading and consequently was influenced by cultures from other parts of the world. It was distinguished from the batik that came from the rest of Java which emanated originally from the keraton, or royal courts, and was fundamentally […]
The resist in these scarves was achieved by clamping some wood scraps together on folded raw silk from Phnom Srouk Province in Cambodia and dipping them into an indigo vat. When the clamps and wood blocks are removed the pattern is revealed.
I love batik that tells a story. By this I do not mean the European-influenced fairytale batik of the last century produced in Java during the Dutch colonial occupation in Indonesia, that depict snow white or little red riding hood. I mean batik that tells us something about real life. I have always loved the […]
Recently I visited Rowland and Chinami Ricketts in their studio in Bloomington, Indiana , where Rowland is an assistant professor on the textiles faculty in the School of Fine Arts. “Rowland and Chinami Ricketts use natural materials and traditional processes to create contemporary textiles. Chinami hand-weaves narrow width yardage for kimono and obi. Rowland hand-dyes […]
I’ve looked at many batik colored with natural dyes, and often the results are somewhat dull and flat. When I saw this one by my colleague, Mas Solikhin Ahmad of Pekalongan on the north coast of Java, I jumped for joy at the liveliness of the color, all derived from natural sources, including indigo. The […]
Instead of applying the wax by hand with the canting, the wax resist is applied with a stamp made of copper, called a cap (tchap). The dye is indigo. [singlepic id=1073 w= h= float=center]
I tried my hand at using the canting to write with wax but it is a long and difficult process. My friend Asif suggested that I ask his friend who is a skilled tukang cap to make a “Love”stamp. I was skeptical that it could be done. Having never seen how a stamp, called a […]
What a joy to visit these lovely artisans in Kebon, Klaten, Central Java. Their work is beautiful and their spirit spirit is inspiring. They are a collective (kelompok) of 169 women from a group of small villages who have joined together, pooling their resources to make batik using only natural ingredients gathered locally to color […]
My friend and colleague, Solikhin , has been working very hard over the past three years since I saw him last. Still focused on indigo, never finding an easy solution by way of chemical dye, Solikhin has come a long way toward opening up the richness and versatility of indigo. This is […]
The darkest indigo batik I have ever seen is from the workshop of Hanafi natural dyer in Pekalongan Central Java. This is a clip from his workshop. A batik of the deepest blue may need more than 100 celup (dips) and take many weeks to produce.